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Teaching Materials

Sample Lesson Plans
Sample Syllabi
Sample Assignments
Lesson Plan

Lesson Plan — Literature

Once my class has read about ¾ of Kindred (through the end of “The Fight”), I run a presidential election in which the students are in charge of creating a presidential campaign around one of the novel’s major figures and then debating on behalf of their candidate. It’s very important to remind students that they must suspend disbelief for this assignment and think of the election as happening somewhere outside of normal space and time: naturally, most of the characters could not run for president in the antebellum South, and it would be difficult for them to step into the present year and be qualified for the presidency! Instead of focusing too much on politics then, this assignment asks them to think critically about character development over the course of the novel and to consider how each character’s personality and actions are influenced by their relationship to power. [If you teach the book in the fall, you may even be able to do this lesson very close to Election Day!]

 

GOALS

- Make an argument about a character in Kindred via close readings of Butler's language and reflection of key passages

- Analyze how identity markers (race, gender, class, age, etc.) impact relationships to power

- Consider how America's historical past influences its present, especially re: race and power

 

MATERIALS

- Octavia Butler's Kindred

- Ballots (one per student)

- Slips of paper for debate questions (3-4 per group)

- Colored pencils/markers and four sheets of white paper

kindred cover.jpg
First edition cover of Octavia Butler's Kindred 
(Doubleday, 1979)

PROCESS

- Before introducing the activity, discuss the chapter “The Fight” and focus on the following major characters: Dana, Kevin, Rufus, and Sarah. Discuss how the characters develop in this chapter, the motives behind their actions, the way they respond to one another, etc. Ask students which character they would most trust in a position of power, then segue into campaign instructions.

 

- Tell class that they will split into groups and be in charge of designing one candidate’s campaign, which should present the character’s qualifications and traits that make them the best-suited for a position of power. They will need to produce the following materials:

  • Short, 2-3 minute speech outlining the candidate’s qualifications

  • Vice presidential choice (another character from novel)

  • Campaign slogan

  • Campaign logo

  • Campaign song

 

- Describe group roles and job descriptions:

  • Campaign manager (1 person, oversees team, presents the short speech and participates in debate, including closing statement) [Note that the campaign manager speaks on behalf of the candidate rather than “playing” the character.]

  • Marketing team (2-3 people, work on slogan, logo, and song choice)

  • Opposition research (2-3 people, research opponents, come up with debate questions)

Show students examples of campaign slogans/logos/songs from past presidential elections so the marketing team has models to work with. You might also come up with a sample campaign for a minor character, such as Tom Weylin (slogan: Put America to Work!).

 

- Split class into four even-sized groups and assign each group one of the major characters discussed earlier (Dana, Kevin, Rufus, Sarah). Ask groups to decide roles and then sit next to their classmates in the same role. Give students ~20 minutes to work in their groups.

  • The campaign manager should spend their time building the case for their candidate by pulling evidence from the novel; also let them know they should be prepared to make some closing statement at the end of the debate based on the answers they give throughout the debate. They should also check in with the marketing and opposition team to check their progress and incorporate their work into the speech as needed.

  • The marketing team should make use of the colored pencils/markers and piece of paper you provide to create the logo. [Encourage students to include the slogan on the logo, or to add it to the opening statement.]

  • The opposition research team should use the novel to come up with debate questions, which they will write on the slips of paper you give them. Ask them to write some questions aimed directly at other candidates and some questions that can broadly be asked to all candidates.

 

- With ~5 minutes left before debate, circle the room and collect the logo and song choice from each marketing team. While the groups wrap up for the last few minutes, search for the song choice on YouTube/Spotify/etc. and make sure projector is warmed up. When debate is ready to begin, ask four campaign managers to step out of the class and collect debate questions from the opposition research team. As you introduce each group’s campaign manager (and they re-enter the room and stand up front), project the group’s logo on the projector and play the campaign song they chose.

 

- Once all campaign managers (CM) are introduced, the debate begins. Have each CM give the 2-3 minute prepared speech that focuses on their candidate’s qualifications. After everyone goes, act as the debate moderator and pull slips of paper supplied by the opposition research team, reading each question aloud. If the question is aimed at a specific candidate, let the CM know before reading it. If it’s a broad question for everyone, choose someone to start and have each CM answer in turn.

 

- Once you’ve gone through several questions (note that there will likely be overlap in the questions so some will need to be skipped; alternately, you can look at them ahead of time and just choose the 4-5 best questions), thank the CMs and allow them to give short, 1-2 minute closing speeches before returning to their seats. When closing speeches are done, pass out ballots and tell students to vote honestly for the best candidate. Remind them that they shouldn’t just vote for their own candidate, but for the candidate they truly think would make the best president based on the debate they just watched/participated in. Collect ballots when everyone’s done voting. Tally vote, announce winner (and runner-up, if wanted), and talk as a class about why that candidate won and why others might have been less qualified for the position. This is a good opportunity to discuss the way various characters in the novel embody or challenge traditional American values (independence, equality, work ethic, etc.) and to bridge the novel's setting in the past with the current American political landscape.

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This lesson is designed to show students how competing points-of-view can result in radically different perceptions of a historical event. Students compare two depictions of the bombing of Hiroshima on August 6, 1945, one provided by the U.S. government and the other by an American journalist. 

 

GOALS

- Analyze two documents that describe the same historical moment to understand how bias influences public perception

- Question the role of objectivity in journalism

- Gain an understanding of the history and use of the US press release

 

MATERIALS

- Copy of U.S. press release announcing Hiroshima bombing

- Excerpts from John Hersey's Hiroshima, including the first paragraph and an excerpt from Chapter 4.

 

PROCESS

- Introduce activity by providing background information on World War II and the invention of the press release (Civil War).

- Distribute copies of U.S. press release and perform rhetorical analysis of first three paragraphs as a large group. Some language worth highlighting: "usefulness to the enemy" (bomb was dropped on civilian center, not army base); "Japanese began the war" (assigning blame); "basic power of the universe" (naturalizing power of bomb).

- Divide students into 4-5 groups, assigning each group 1-2
paragraphs to analyze in their groups. Ask them to first identify the overall purpose of the paragraph, and then to highlight 2-3 phrases that perform important rhetorical work. Give students about 10 minutes to work in groups, checking in to keep groups on task.

- Give each group ~5 minutes to present their findings and discuss as a class.

- Distribute copies of Hiroshima excerpt and read aloud.

- Discuss role of objectivity in text. (Is the text objective because of the clinical writing style? How does the style impact your emotional reaction to the text? While the writing style is often described as objective, does the arrangement of the content complicate this claim?) 

- Compare to U.S. press release by leading discussion on bias, objectivity/disclosure, etc.

Lesson Plan — Rhetoric

U.S. press release about the bombing of Hiroshima. Click image for full document.
LEFT: Cover of the August 31, 1946 issue of The New Yorker, in which Hiroshima was first published
RIGHT: Hiroshima author John Hersey
Syllabus

Sample Syllabi

My Queer Movements majors course examines queer US histories from the 1950s to today via a focus on queer of color literature and theory. The course spans geographic regions—the metropolis, the US/Mexico border, the queer South—and genres.

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This proposed course for English majors, titled Literature of the (Post)Plantation, examines the literary legacy of the plantation and the post-slavery works that reshaped our conception of it.

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Fantastic Literature relies on texts from a variety of fabulist genres (fairy tales, sci-fi, magical realism, etc.) to understand how writers use the tropes of fabulism to discuss real-world issues of each author's time.

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The texts on my Somewhere on the Outside: Alienation of Self and Other syllabus all examined the causes and consequences of alienation in a range of protagonists from Frankenstein's monster to James Baldwin's tortured protagonist in Giovanni's Room.

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The syllabus for my Rhetoric course focused on how media and popular culture influence our behaviors as citizens, consumers, and social creatures.

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Between the Gilded Ages is a proposed course for English majors designed to interrogate how the hallmarks of the late 19th century Gilded Age have survived well into the 20th century.

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Some Authors Taught

FICTION/DRAMA

Sherwood Anderson

Margaret Atwood

James Baldwin

Amiri Baraka

Aimee Bender

Angela Carter

Charles Chesnutt

Ralph Ellison

William Faulkner

Susan Glaspell

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Ernest Hemingway

Shirley Jackson

James Joyce

Carmen Maria Machado

Toni Morrison

George Saunders

William Shakespeare

Mary Shelley

Tennessee Williams

Virginia Woolf

NON-FICTION

Michelle Alexander

Eula Biss

Robin DiAngelo

Joan Didion

Olaudah Equiano

John Hersey

Zora Neale Hurston

Harriet Jacobs

Kiese Laymon

George Orwell

POETRY

Joshua Bennett

Sterling Brown

Paul Laurence Dunbar

Ross Gay

Nikki Giovanni

Frances Harper

Essex Hemphill

Langston Hughes

Juliana Huxtable

Frank O'Hara

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June Jordan

Cherríe Moraga

Pat Parker

Carl Phillips

Tommy Pico

Assotto Saint

Anne Sexton

Kitty Tsui

Danez Smith

Phillis Wheatley

Sample Assignments

Media (Mis)Representation in War

This Rhetoric assignment asks students to investigate a media artifact that depicts the antagonist of a US military conflict, using historical research and rhetorical analysis of the image to argue how the artifact reflects an American value.

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Your Life, the Fairy Tale

This creative assignment for my Fantastic Literature course asks students to use the conventions of the fairy tale genre we learn in class to write a fictionalized account of a real-life challenge they overcame.

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Short Close Reading Paper

I use this short paper as the first writing assignment in my literature course. I ask students to perform a rigorous close reading of a short passage from our reading as a diagnostic to see how well they are developing close reading skills.

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Assignment

Enrico Bruno

Teaching and Academic Portfolio

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